5 Questions And 500 Words: “Scorpion”

Welcome to another installment of “5 Questions and 500 Words,” my approach to reviewing the crazy amount of shows that will be unspooling/returning over the course of the next few weeks. Given the glut of shows, and the glut of reviews that will be published for these shows, I’m keeping things short and sweet. This is for your convenience and my sanity. Read More »

5 Questions And 500 Words: “Madam Secretary”

Welcome to another installment of “5 Questions and 500 Words,” my approach to reviewing the crazy amount of shows that will be unspooling/returning over the course of the next few weeks. Given the glut of shows, and the glut of reviews that will be published for these shows, I’m keeping things short and sweet. This is for your convenience and my sanity. Read More »

5 Questions And 500 Words: “Gotham”

Welcome to another installment of “5 Questions and 500 Words,” my approach to reviewing the crazy amount of shows that will be unspooling/returning over the course of the next few weeks. Given the glut of shows, and the glut of reviews that will be published for these shows, I’m keeping things short and sweet. This is for your convenience and my sanity. Read More »

5 Questions And 500 Words: “The Mysteries Of Laura”

Welcome to another installment of “5 Questions and 500 Words,” my approach to reviewing the crazy amount of shows that will be unspooling/returning over the course of the next few weeks. Given the glut of shows, and the glut of reviews that will be published for these shows, I’m keeping things short and sweet. This is for your convenience and my sanity. Read More »

5 Questions And 500 Words: “Red Band Society”

Welcome to another installment of “5 Questions and 500 Words,” my approach to reviewing the crazy amount of shows that will be unspooling/returning over the course of the next few weeks. Given the glut of shows, and the glut of reviews that will be published for these shows, I’m keeping things short and sweet. This is for your convenience and my sanity. Read More »

Dear Internet: Forgive Damon Lindelof, and Forgive Yourselves

The title really says it all.

To be clear up front: I’m talking to those that forced Lindelof to leave Twitter, those that bitterly complained about “Lost” with every tweet he delivered, those that nearly four and a half years after the series finale can’t take that episode’s sole mantra and simply let go.

You. Yeah. Talking to you. As we approach the tenth anniversary of the show’s premiere next month, let’s palaver around the fire.

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“Wilfred” Review: “Happiness” and the series as a whole

“Wilfred” ended its series run tonight, and television will be a little more boring in its absence.

It was never a perfect show, often stuck trying to figure out its overall tone, marrying short-term plots to longer-arcing narratives, and generally spinning its wheels at times as the show entered later seasons. As a viewer, I came and went, missing large chunks of the second and third seasons with little to no adverse effect. In a strange way, that turned out to be a strength rather than a weakness. Because even though tonight’s series finale answered what the titular character was, it purposely left his meaning as clouded as ever. Which is perfect.

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A “New Universe” for comic book TV

It’s no secret that comic books are all the rage in both television and cinema, with “Guardians Of The Galaxy” just the latest example of the seemingly unlimited appetite for characters leaping off the page and onto the screen. Marvel and DC are in a race to get the most content and the most eyeballs right now, and while there are plenty of popular choices already rumored, many of those characters that are beloved and will cost a pretty penny to produce. But for those looking to cash in on the comic frenzy on the cheap using characters even less known than Groot was a few months ago, gaze upon The New Universe.

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“24: Live Another Day”: Finale and season review

Playing the “What If?” game is dangerous, since you can basically make any point you want within the world of hypotheticals, and if you’re skilled enough. So asking “What if ‘24’ had its run during today’s TV landscape?” is both a fascinating question and a completely ridiculous one at the same time. Alan Sepinwall put “24” in his recent book “The Revolution Was Televised” for a reason, and that’s because the show was as vital to the modern-day landscape of television (in its own way) as “The Sopranos”, “The Shield,” and other groundbreaking shows.

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The “Community” Renewal, or, Introduction To Starting Over

The renewal of “Community” means everything. And the renewal of “Community” means nothing.

Both statements are polar opposites of one another, yet utterly true at the same time. Instead of a cat inside Schrödinger’s box, Dan Harmon is under there, probably thinking, “Holy shit, I actually have to do this now, don’t I?”

Both are true, of course, depending on your personal perspective. As news swept through Twitter, there wasn’t an indifferent response to be found. Everything was either THIS IS THE BETTER EVER or HAHA OH INTERWEBS or WHY NOT TROPHY WIFE YOU BASTARDS. This makes sense, not just because Twitter is where subtlety goes to die one subtweet at a time, but also because “Community” has always been one of the more polarizing shows on television. Long before programs like “Girls” and “True Detective” hoped to make people issue blanket Big Think Pieces on a daily basis, “Community” challenged and divided viewers, especially in the online world.

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