Lost Recap: Episode 4.12

During the last commercial break of tonight’s episode, I looked over at my wife, who sat there with a look on her face like she’d just swallowed 15-year old Dharma crackers. I asked her if she liked the episode, to which she replied, “It’s just…suffocating.” And with that description, she pinpointed what I’d been feeling as well throughout the episode. More than any episode of Lost I can recall, I sat there during the first hour of the three-part finale “There’s No Place Like Home” all but shouting at the television, telling the people onscreen to do ANYTHING other than what they were currently doing at that moment.

After all, the show approached Greek tragedy tonight in terms of its inability to go in any other direction except towards a tear-filled encounter just outside of LAX. We’ve known through Season 4 that we’d end up at this point in some fashion, but now that we’re here, the narrative grip has reached a chokehold, with the climatic moment uniting past and future only two weeks away. As such, one can look at the slo-mo’d climax of the episode as the show putting the major players into their position for the final, tragic act, arranging them like a masochistic director inside a theatre of pain.

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Reaper Recaps: Droppin’ ‘Em As If They Were More Than Lukewarm

Somewhere along the lines I just stopped posting my recaps of the show here on the sight, even though I’ve been writing them up for the past few weeks.

Consider this link a makeup for that oversight. The first 25 of you to click over get free beer. Promise. Sorta.

Battlestar: Galactica Recap: Episode 4.6

The majority of this week’s edition of Battlestar: Galactica boiled down to monologue by the Hybrid. Very little else of major consequence happened in this episode, although there were some lovely character moments setting Roslin up for her major story arc to come. That arc is also described/predicted in the Hybrid’s speech, so let’s get down to it, shall we?

Thus will it come to pass.
The dying leader will know
the truth of the opera house.
The missing three will give you the five
who have come from the home of the 13th.
You are the harbinger of death, Kara Thrace.
You will lead them all to their end.
End of line.

352px-4×06_-_faith_-_promo_1.jpgSo the dying leader, Roslin, will know the meaning of the events of the opera house vision shared by Gaius, Caprica-6, and D’Anna. Roslin herself has had visions of the Opera House in the past, but to my knowledge never had the Final Five in them.

The missing three, aka Deanna, will now be unboxed, which means hell to pay for the hidden final five. D’Anna, remembers, asks forgiveness of the Final Five, and thus will know who they are upon being awakened. The “13th” is the 13th colony, or Earth, meaning that these five models are meant for at least one race to make it to that planet. Where it gets tricky is when things get to Kara Thrace, as it’s incredibly unclear whose end she will effect. Is she the harbinger of doom for the humans, or the Cylons?

Given that even the final five aren’t entirely sure of their own purpose, one can assume either option’s currently in play. If Starbuck’s at the center of things, Roslin is a close second, with both women certainly attune to the music of the universe more than the majority of remaining humans. Roslin’s music consists of the doleful, yet oddly beautiful, dreams of a fellow patient. The point of these interactions seems to be priming Roslin for resilience in the face of undoubtedly dire circumstances ahead. (As for her last scene with Adama…I mean, that wasn’t even fair, guys. Bravo. Bravo.)

As for Anders…he’s certainly hearing his own kind of music as well, between his shooting of Gaeta, interest in the baseship interface, and almost tender comforting of Eight as she lay dying after a Centurion attack. The resurfacing of the D’Anna model will certainly put he and the other three hidden cylons at huge risk, even as the Cylon ranks grow thinner and thinner thanks to their bloody civil war.

What’s left to be seen is if this show is actually about acceptance of those things we create, or great sacrifice in the name of a brighter future. The former sees the two sides actually working together to find earth; the latter sees the Final Five eradicating their own kind as a means to preserve the human race. Either way, there’s plenty of pain to go around until that path is chosen.

The Boob Tube Dude is Back in Beantown

Had a little sojourn to the Windy City over the weekend to meet a few Misfits, but I’m back in the saddle again.

Coming up tomorrow: my recap of the latest episode of Battlestar: Galactica.

But for now, take a peek at Part 1 of my extended look at John Locke over at Zap2It’s Guide to Lost.  Good times for all, y’all.

Lost Recap: Episode 4.11

Well, kids, did you catch “Cabin Fever”? (The only prescription? More Dharma cowbell!) I’m tempted, based on the last line alone, to give this episode a review akin to a 13-year old girl reviewing the latest Jonah Brothers’ CD, with the caps lock on and variation text-message based superlatives liberally peppered into the recap. But as a whole, as a complete episode of television, it was far from perfect, and perhaps the greatest victim of the writer’s strike that we’ve seen since Lost started re-airing new episodes in this generally stellar Season 4.

Everything Locke-centric? Pretty much solid gold. Everything freighter-centric? Well, a little bit of freighter goes a long way. I think we solidly learned that lesson tonight. But with a few scant hours left in the season, the show clearly tried to shoe-horn in about three episodes worth of freighter story into roughly 11 minutes. The seams showed, and thus had me itching to get back to the Island. But let’s accentuate the positive, and leave the negatives for the end, shall we?

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Lost Podcast: Episode 4.10

Read ‘em and weep.

Oh wait. Listen and weep. My bad.

Battlestar Galactica Recap: Episode 4.5

More than any episode this season on Battlestar: Galactica, “The Road Less Travelled” felt like a stop-gap, a place-holder, a way to get people into psychological frameworks for the actions yet to come. This is all fine and well, but considering the second episode of the season also sought to do this, it’s all a bit too much talky talky and enough enough bangy bangy. (That type of analysis is why I make the big bucks, people.)

The theme of this episode? “Making peace with your past,” or rather, just how hard it is for just about everyone to live with the choices they’ve made that have led them to this particular moment in history. Tyrol and Starbucks especially suffer from this problem, weighed down not only by their current situation but their actions, once a seeming random series of occurrences, now seen as the potential work of invisible hands.

There’s a great contrast in those who struggle against the removal of personal accountability in the show. Baltar’s cult thrives on being relieved of both responsibility and imperfection, with chief acolyte Tori at the head of the “everything’s allowed” school of thought. Ironically, those whom destined for greatness shun such major responsibilities. The cult can’t wait to be told they are perfect and the apple of God’s eye. Tyrol and Kara are focused on the Eye of Jupiter. Which eye truly exists? Both? Neither?

Into this mess comes Leoben, Ultimate Mindfrakker extraordinaire, coming with a message of alliance with the humans in the civil war between the Cylons. He also wants Kara to talk to the hybrid in order to locate Earth. But let’s remember the final scene of the tele-movie Razor, in which the hybrid talked to Kendra Shaw and said the following:

Hybrid: Then come closer. There’s something I have to tell you. Come. [She stumbles forward, and he grabs her hand] Kara Thrace will lead the human race to its end. She…

Shaw: What?

Hybrid: …She is the herald of the Apocalypse. The harbinger of death. They must not follow her.

So, why is Leoben so keen on her speaking with the hybrid? Is Earth the ultimate Cylon end-game? Or is there a hidden meaning in the hybrid’s word? I don’t analyze the minutiae of the show quite as much as I do that of Lost, but then again, I think the Boob Tube Babe believes I spend less time analyzing the minutiae of our relationship as much as I analyze Lost. So don’t feel too bad, Battlestar. I still love ya.

And I’ll love ya even more when you get to the second part of this cliffhanger-laden episode. Given the previews for next episode, it looks like this hour will not have been ill-spent. Still, with the show in its last season, they can’t take too many more time-outs such as this week along the way. Earth should be getting closer each week; right now, it feels like we’re in a bit of a holding pattern.

Um, Yes Please

An R2-D2 projector? That moves? And rotates?

Oh hell yes. Just take all my income to a bank account far, far away…

Lost Recap: Episode 4.10

I know what you were thinking, Lost fans. You were sitting there, with your remote control, your beverage, your bowl of popcorn, and you were thinking, “Bai Ling better be nowhere near this flash forward.” Luckily, your fears didn’t come true, but while “Something Nice Back Home” was miles better than “Stranger in a Strange Land,” it seemed to move at a snail’s pace in comparison to last week’s rocket ship of an episode. That’s not necessarily a bad thing: whereas last week sought to cram in as much mythology as possible, this episode sought to fill in the narrative gaps between Island time and post-Island time. Different agendas, different pacing, different results.

How such a different tact fared depending on your perspective of Jack, or rather, your perspective on Jack/Kate, the slightly more stubbled/drug addicted version of Ross to the much more confused/more prone to wearing shorts 24/7 version of Rachel. (Honestly, Future Kate doesn’t own pants! Did no one else find this weird besides me?) Island action and future action were not so much built on guessing the outcome of the events (we know Jack will survive the surgery, we know Jack/Kate have a future falling out), but rather constructed around how those particular events shape future actions/interactions. And, most important of all, the notion that there are higher powers guiding everything ran rampant throughout the episode.

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A matter of perspective

Over on Zap2It’s Guide to Lost, I take a look at the ever-widening scope of Lost, and how the shift from Jack’s eye to a world war shows why it’s one of the best shows to ever air.

I don’t usually plug my own entries over there, but I quite liked the way this one came out.